Saturday, October 5, 2013

Pet Cujo - Day 4

Friday night kicked off the Stephen King weekend here for Horrorfest! Which means, I am partaking in movies based on King novels. I did in fact watch two movies last night, Pet Sematary and Cujo, but I'll only be reviewing the first, because the later makes me sad. There is something about the neglect of Cujo that gets me angry. I mean, did no one notice the gigantic wound on his poor little nose? These people deserved to be eaten.

Anyway, on we go.

Title: Pet Sematary
Year: 1983
Synopsis: Behind a young family's home in Maine is a terrible secret that holds the power of life after death. When tragedy strikes, the threat of that power soon becomes undeniable.

Tagline: Sometimes dead is better. 

As a pet lover, I'm not to sure why I chose two animal horror movies for one night. That said, I really love Pet Sematary, even though it does suffer some flaws. Let's talk about why I love it first and tackle the 'meh' parts after. 

Right off the bat, this is a zombie movie even though it rarely is ever recognized as one. The proof is in the pudding. The dead come back to life and they dine on people. No matter how you cut the pie, it still equals cannibalistic dead person. Zombie. Still, you won't ever find this in the zombie-fest movie line up, which I always thought rather curious. Why is it this movie isn't given the credit it so deserves? It's missed classification make me feel it is a hidden zombie classic that perhaps only I recognize the genius of.

Another thing you have to enjoy about Pet Sematary is Fred Gwynne. The minute he steps on screen I have to repeat 'Herman Munster' six times, just so everyone in the room knows that this man is the iconic Herman Munster from the hit television show The Munsters. Anyone, who is anyone, who loves horror, will know this man and how awesome he is. His voice is legendary and whenever I hear it I get a warm fuzzy feeling in my belly and imagine him telling Eddie the ups and downs of life.  Oh, hell, I'll just put it here so we can move on. 


From that point on, there is a lot to like about this short movie. The little kid who plays Gage does a bang up job and is very convincing as a demonic brat who just wants to play. Granted, his sister is the most terrible child actor ever to exist, but I hear balance is necessary in life. By far and wide, Church, the family cat, steals the show. Though, I always wondered why Church always seemed to hate Louis, the dad, so much. Right from the opening he only had hisses and growls for the man. Makes me suspicious. 

That said, for a movie called Pet Sematary, there isn't a heck of a lot happening with pets, other than Church's reanimation. There is a veiled back-story that involves a dog, but after not watching this movie for awhile it surprised me that there is actually a very minimalistic pet factor throughout. 

Now for the flaws. Well, I don't understand why Rachel takes the kids to go to her parents' house for Thanksgiving. After all, this is her family and they just got a brand new home, why doesn't she make dinner for the four of them and invite Herman Munster over to join them. Another confusing factor is the suicide of the neighbour. She hanged herself because of cancer, though I am uncertain how this contributes to the plot at all. I am assuming it is to breech the subject of death with Ellie, the daughter. Though it is never truly explained. 

Finally, why doesn't Louis Creed learn his lesson. The ghost of Pascow delivers a message from beyond the grave, heeding Louis of the power of the Pet Sematary. Still, he buries Church there. Then Jud, Herman Munster, better known as Gwynne tells tales of the people and animals who came back after being buried in the Pet Sematary. They are never the same. 

Still, he buries Gage there. Big mistake. And even after having to kill his son afterwards, rather unfairly, as Gage thinks, he still ends up digging a grave for his wife there. The delusional fools seems to think it will be different this time. But it is never different! It makes me think this man deserves what he got. I mean, he was warned more than once. 

This is an entertaining movie and actually quite fun. I have to confess, I think Rachel Creed's history with her sister is absolutely disturbing. And apparently, they couldn't find a woman bony enough to play the part, so Zelda is actually a man! If that doesn't entice you to give it a go, I don't know what will. 

Friday, October 4, 2013

Ginger Slaps - Day 3

Last night, day three, was wolf night. I watched Ginger Snaps, which I hadn't seen, and Wolfman (2010) which I have. The reason I am only writing about the first is because I was actually pretty impressed with it.

You know the drill:  

Title: Ginger Snaps
Year: 2000
Synopsis: Two death-obsessed sisters, outcasts in their suburban neighborhood, must deal with the tragic consequences when one of them is bitten by a deadly werewolf.

Tagline: They don't call it the curse for nothing.

For a horror movie buff like me, one might think I would have already watched Ginger Snaps. After all, it came out thirteen years ago. The reason I didn't was because the movie's marketing team complete screwed the pooch. I actually thought this was going to be just another low-budget, tacky, Canadian horror film where the big breasted blonde manages to dupe everyone and save the day. I mean, Ginger Snaps. Is this about cookies?

Not-So-Spoiler-Alert: That isn't the case at all.

With the obvious play on word title and boring synopsis on the back of the box to the side, I actually genuinely liked the Fitzgerald sisters, Ginger and Bridgette. Not only did their obsession with the death intrigue me, it set them apart from the plethora of teen movies with lead characters who had hobbies such as volleyball, writing poetry, shopping and, in general, being generic.

The unique characters weren't the only reason I was enthralled. Right from the first couple minutes, I was curious over the beast that seemed to be terrorizing this town. Though it did spring to mind one question, why was this thing only feasting on the townspeople's dogs. That was solved when Ginger got her period, or curse, or Aunt Flow, and, in doing so, made herself into a target. Stupid girl. Doesn't she know not to get her period while wandering the streets at night. Tsk.

Somehow she lives through the rather brutal attack. Hey, I don't ask questions. I just watch the movie. And, lo and behold, she starts changing. Trust me, I am not spoiling anything telling you this. It is the way Ginger changes and the desperation of Bridgette trying to cure her that is incredibly touching. All this time we though puberty was hard. Little did we know. It's way harder to be a teenage werewolf.

Another big box ticked was the lack of a simpering love story. YAY. Though there may have been a bit of a crush hinted at between Bridgette and Sam, it didn't develop past a subtle possibility the two might have some sort of feelings for one another. Thank God! I am so tired of movies that should be horror turn into teen romances. Oh, the ending didn't cop out and have the young possible lovers fleeing town and the fully transformed Ginger. For that, I add another gold star to the top of their paper.

The only annoyance I suffered was trying to place where I'd seen the actress who played Ginger before. Don't worry. I figured it out. Another little Canadian horror flick called American Mary - go ahead and press play, it's actually fairly fun as well.

Needless to say, Ginger Snaps slapped me across the face and said, 'why didn't you pay attention to me sooner?' For that, I will be forever regretful. But there is nothing like a good Lyken movie to get you howling.

See what I did there?

Thursday, October 3, 2013

Psycho Psycho - Day 2

On the second day of Halloween my true love made me watch both the original Psycho and the remake - is what my lover would say to you. And I was adamant. Why? Because I read somewhere the 1998 version was identical to the OG, the only being cast and colour.

LIES! There were plenty of other changes as well, but first ...

Title: Psycho
Year: 1960/1998
Synopsis: A Phoenix secretary steals $40,000 from her employer's client, goes on the run and checks into a remote motel run by a young man under the domination of his mother.

Tagline: The classic story of a boy and his mother.

First, let's tackle the original in all its glory.

There is a reason this movie is a classic and that reason is because it is a healthy dose of perfection. Allow me explain. The original Psycho has what we are all looking for tied up with a nice bow. Amazing soundtrack. Tension. Phenomenal acting. Two main leads you can't help but like, even after you find out Norman's little secret. A spectacular twist ending. And though it may not stand up against such gore-riddle films as Saw or the slasher flicks of the eighties, in its day, it was ground breaking horror.

It pushed the limits.

Which is why Alfred Hitchcock was, in my humble opinion, one ballsy man. I am, of course, talking about the infamous shower scene in this black and white blockbuster. Not only did it smash apart what viewers thought they knew about violence and horror, but it also included a very naked Janet Leigh. A risqué move for Mr. Hitchcock. I mean, the overhead shot of her suffering the attack are gutsy. In 1960, this was virtually unheard of, especially in a mainstream movie, which Psycho was. And that final scene of Marion, eyes open, face planted on the floor. Chilling, I tell you. CHILLING!

Now, let's tackle the remake and the reason why I felt it sucked. I know, I am so very eloquent with my words.

While this may appear to be a shot-for-shot updated version of Psycho, little bits were added throughout which in the end turned it into not only a miss but a massacre. The plot updates simply don't fly with me. Marion, who is played by Anne Heche, who is no Janet Leigh, steals four hundred thousand dollars and expects to get away with it? Please. Granted, I didn't live in 1960, but I assume it might have been a tad easier living on the lamb after robbing someone, then it would be in 1998. And forty thousand to four hundred thousand, while surely accurate, is a bit far fetched. I mean, Marion worked there for ten years! Where is the loyalty?

What did they do to Sam? John Gavin, the original Sam, seemed genuine to me. A down-and-out man who just happened to be in love, living in the back of a hardware store, paying alimony to his ex, and he seemed nice. Lovely, really. But Viggo Mortensen? What a sleezeball. Don't get me wrong, I love Viggo. History of Violence, Eastern Promises, the list really does go on and on. This man can act, but the way he portrayed Sam in this remake made me cringe. It left me wondering why Marion would throw her life away for this degenerate ass.

Before I finish this off with a giant eff-you to Vince Vaughn, let me touch on the added bits and bobbles that turned this movie into tripe. The bare butt only ten minutes in. Yes, it might have been Viggo's, but it wasn't necessary. Norman Bates masturbating while he watched Marion undress for her shower. This was not in the first one and it certainly wasn't needed in the second. It felt like a cheap ploy to make Norman more creepy than necessary. While some might feel it was implied in the first, I sincerely don't think it was. Norman didn't feel like a sexual being to me. He radiated childishness. Then there were the knife marks and extra blood in the legendary shower scene and, as I have always said, less is sometimes more. None of these adjustments made the movie better. And that is the point, isn't it? If it didn't deepened the story or make it better, then what's the point? To push the envelope and turn the PG rating into a PG-13 one?

Last, but certainly not least, Vince Vaughn.

Ugh.

Anthony Perkins was such a fresh-faced, pleasant albeit awkward Norman Bates. His laugh was genuine, discomfort obvious, but a kindness shone through his entire being. And then Vince Vaughn came along and ruined this iconic character with a forced laugh that made me want to smash through the television screen with a fist of fury and strangle him. It saddened me to see this character, that oozed innocence and disillusionment, to be butchered in this manner.

And what the hell was with the blonde wig??? The mother shot at the end of the 60's one is by far scary than the 1998 one.

In the end, watch the original. The remake has no grist.

Oh, and check out the television program Bates Motel. I watched the first season and was pleasantly surprised. 

Wednesday, October 2, 2013

On The First Day Of Halloween

Simply put, I wait all year for October to begin. It isn't just because of Horrorfest, it's also the leaves turning colours and crisp air, apples and scarves, candy and pumpkin pie. You can't go wrong. There is a reason people love scary movies. There is something amazing about being terrified while being safe and sound. That kick of adrenaline when the closet springs open and, despite what the PC brigade says, horror movies often have very well timed comedic relief.

So, Horrorfest commences with the very first movie!

Title: Hellraiser
Year: 1987
Synopsis: An unfaithful wife encounters the zombie of her dead lover, who's being chased by demons after he escaped from their sado-masochistic Hell.

Tagline: It will tear your soul apart.

It is because I love to start things off with a bang that I selected Hellraiser. For those of you who do not know, Clive Barker wrote a little novella called 'The Hellbound Heart' and that is what this shining cult nugget of awesomeness is based off.

What most people fail to realize about Hellraiser is that it actually is a romance. No, really. It is a demented and sticky love story between Frank and Julia, both mentioned in the synopsis above. I mean, it gots to be love when the chick is killing random men for her fleshless lover to feed off! Of course, there is an end game. He wants his body back.

Temptation is not something anyone in this family knows how to resist. Not even Kirsty Cotton, who despite knowing exactly what the box is about, still opens it. What a dummy. Fortunately, she finds a loophole and tosses her demented uncle under the bus, not literally. Figuratively. And because Pinhead, who is actually only called Lead Cenobite in this film, is so reasonable, he actually agrees to let her off the hook in exchange for Frankie boy.

Or does her? Since there is a Hellraiser 2 and Kirsty is back in action there, I think not.

Honestly, the most disturbing part of the movie is the opening scene when the box is first being purchased in the marketplace. All those dirty nails. I mean, haven't these people heard about manicures? Ugh.

I would write to you all about the reasons I love Pinhead, but I already did that last year and you can read it here if you are so inclined. It's a good read, I highly recommend taking it for a spin.

Like so many things from the eighties, this movie does suffer from the evil bitch called time. The special effects are outdated, skin ripping scenes are actually humour, but still it is a gem. To me, the campiness makes it that much better. I think about how people were terrified by this movie, can hear the screams in the theatre, and how people had to close their eyes. Then it gets me wondering about how desensitized we are in this day and age.

Oh, well.

If you haven't seen this movie, you have to. There are some terribly funny lines. And it's worth the the 86 minutes of your life. Trust me, you aren't doing anything better at the moment. Don't you want to know what 'demon to some, angel to others' means?

And no, it isn't my dating profile slogan. Although, that's a rather brilliant idea!

Tuesday, October 1, 2013

A Decision Has Been Made

I will be blogging each day of October.

Yay, said no one ever. 

And I will be recapping the movies I watched, but since I will be watching them at night, I will be blogging a day later. So, the movie/movies I watch tonight, on the 1st, will be blogged about tomorrow on the 2nd. 

That means I will be blogging about Halloween on November 1st. 

This is so complex. I'm sure you can all keep up. 

So excited. Have I mentioned I love October?! 

Well, I do.